Calligraphy has been used in painting since ancient times. Known as the “Zenith of Cursive Script” in Chinese calligraphy, the preface of Orchid Pavilion Collection captured the joyous moon and the beauty of a military and civilian gathering in Orchid Pavilion. Likewise, in “Elsewhere” I employ writing in form of painting to construct a wonderland located in the West and with a Chinese woman as its protagonist. I allow her to perform like running water amidst this wonder-scenery wherein oriental and western culture converge in a natural way.